Jean Toomer: Blood-Burning Moon (Deal Me In 2018 – Week 21)

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Ghost of a yell slipped through the flames and out the great door of the factory. It fluttered like a dying thing down the single street of factory town. Louisa, upon the step before her home, did not hear it, but her eyes opened slowly. They saw the full moon glowing in the great door. The full moon, an evil thing, an omen, soft showering the homes of folks she knew. Where were they, these people? She’d sing, and perhaps they’d come out and join her.

In Joyce Carol Oates’ introduction to Jean Toomer’s short story “Blood-Burning Moon”, she emphasizes the musical and lyrical quality of Toomer’s writing. So I couldn’t help myself from feeling the rhythm and hearing the music as I read the story this week.

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The story has a tight plot in what might be considered a love triangle. It starts out soft and slow but crescendos into something big and tragic – in some respects it feels like an opera. As I started reading it, I heard something like the beginnings of Gershwin’s Rhapsody in Blue but then it turned into Coltrane’s A Love Supreme.

I’m not sure I could find a supreme love in the plot, itself, but I could hear and feel the supreme love of an author for the words with which he tells this beautiful story.

This story is included in the collection The Oxford Book of American Short Stories edited by Joyce Carol Oates which is where I read it. It’s also included in The Best Short Stories of the Century edited by John Updike. I read this story when I selected the Seven of Spades for Week 21 of my Deal Me In 2018 short story project. My Deal Me In list is here. Deal Me In is sponsored by Jay at Bibliophilopolis.

 

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Jean Stafford: The Interior Castle (Deal Me In 2018 – Week 20)

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She believed that she had reached the innermost chamber of knowledge and that perhaps her knowledge was the same as the saint’s achievement of pure love. It was only convention, she thought, that made one say “sacred heart” and not “sacred brain”.

Jean Stafford knows nose surgery. At least based on the amount of nose surgery detail she includes in her short story “The Interior Castle”, one can assume she knows nose surgery.

Her protagonist Pansy Vanneman waits in the hospital after a bad car accident for an operation on her nose that will allow her to breath through it again. While lying in bed, and while in surgery, Pansy’s mind rambles in streams of consciousness and maybe even streams of unconsciousness.

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If one tries to reign in Pansy’s thoughts, which might not be what Stafford intends a reader to do, they would fall under the ideas that pit the physical outward self against the inner thoughtful self. The reader doesn’t get to know all the details of Pansy’s accident but they are made aware that her face has been severely injured – not just her nose. Pansy’s thoughts also are infatuated with her brain, well maybe not her own brain specifically, but the brain as an organ in general.

Stafford tells the story in third person mostly from Pansy’s point of view but in an odd move we briefly get the surgeon’s point of view.  It shouldn’t be a surprise, though, because it’s an odd little story. It was worth reading and I would recommend it but is it a favorite? Probably not.

“The Interior Castle” is included in my copy of The Best American Short Stories of the Century edited by John Updike. I read it when I selected the Six of Clubs for Week 20 of my Deal Me In 2018 short story project. My Deal Me In list can be found here. Deal Me In is hosted by Jay at Bibliophilopolis.

 

 

Robert Louis Stevenson: The Body Snatcher (Deal Me In 2018 – Week 19)

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All over the country-side, and from every degree of distance, the farm dogs accompanied their passage with tragic ululations; and it grew and grew upon his mind that some unnatural miracle had been accomplished, that some nameless change had befallen the dead body and that it was in fear of their unholy burden that the dogs were howling.

Yes, last week’s Deal Me In story was by Stephen King, but this week’s story is the real horror story. Robert Louis Stevenson’s “The Body Snatcher” comes with all the gruesomeness and terror to make this a great Halloween story. Of course, a good horror story can be enjoyed at any time of the year and as far as they go, this one isn’t bad.

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Fettes is a young medical student in charge of bringing in the cadavers for his class to dissect. His supervisor tells him to just take the bodies as they are delivered and pay for them with no questions asked. Soon, though, bodies of people he knows start to be delivered – people he just saw alive the day before. And as I’m writing this, I’m starting to chuckle but I don’t think dark comedy is the intention.

What is the intention of the story? I think it’s just to be scary. I don’t find any deeper universal meaning in it other than scary stories can be very entertaining! And something about 19th Century writing can make a story very scary.

This story is included in my copy of Robert Louis Stevenson: The Complete Shorter Fiction edited by Peter Stoneley. I read it when I selected the Six of Hearts for Week 19 of my Deal Me In short story project. My Deal Me In list can be found here. Deal Me In is hosted by Jay at Bibliophilopolis.

Stephen King: The Reach (Deal Me In 2018 – Week 18)

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“We joined hands, children, and if there were times when we wondered what it was all for, or if there was ary such a thing as love at all, it was only because we had heard the wind and the waters on long winter nights, and we were afraid.

“No, I’ve never felt I needed to leave the island. My life was here. The Reach was wider in those days.”

One, like me, does not have to have read a lot of Stephen King’s work to understand his preoccupation with the phenomenon of death. It’s not any different in his short story “The Reach”. One also doesn’t have to read a lot of Stephen King’s work to know that he very often goes deeper than just horror for the sake of horror. And that’s not any different in his short story “The Reach”.

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Stella Flanders, approaching 100 years of age if my calculations are correct, has never left Goat Island off the coast of Maine much to her great-grandchildren’s surprise and wonder. She remembers many people from over the years who travelled across The Reach to bigger and better things. And she remembers those friends and loved ones over the years who died in various manners both natural and unnatural including her husband and best friend.

Occasionally, the winters are cold enough that walking across The Reach to the mainland is possible and referred to numerous times as a “Jesus-out-of-the-boat” moment. She has never done that, either. But the current winter is just such a winter.

It’s not surprising that she decides to make this trip, now, beckoned by those who have gone before her.

Yes, the way this story melds reality and metaphor is sheer genius.

“The Reach” is included in my copy of The Oxford Book of American Short Stories edited by Joyce Carol Oates. I read it when I selected the Nine of Spades for Week 18 of my Deal Me In 2018 short story project. My Deal Me In list can be found here. Deal Me In is sponsored by Jay at Bibliophilopolis.

 

 

Jon Hassler: Keepsakes (Deal Me In 2018 – Week 17)

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“The paper will burn, except for a few pieces caught by the wind and carried into someone’s pasture or barnyard. Burned or not, the paper will dissolve into the earth in the first heavy rain. The birdcages and knick-knacks will rust and chip and dissolve, too, after a few seasons.”

In Jon Hassler’s short story “Keepsakes”, Roger’s parents make him help the grumpy old priest, Father Fogarty, clean out his rectory before he is transferred to another parish. Lots of old letters, documents and birdcages make for interesting conversation between the young boy and old man. Based on the dates mentioned in the conversations, I would guess that the story is set somewhere around the early 1940’s. And based on the fact that many of Hassler’s stories and novels are set in Minnesota (per Amazon.com), I would guess that this is where “Keepsakes” is set, also.

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While many in the town are not sad to see Father Fogarty leave, Roger’s family is at least respectful. An unspoken understanding of each other develops during the afternoon Roger spends with the priest. In the depth of the conversations, the reader can glimpse Father Fogarty’s line of questioning to himself, if not to Roger, about whether his years as a priest or even his years as a human being have been worth it.

The final bittersweet paragraph lets the reader know that the priest, at least in one afternoon, made a difference in one boy’s life.

Something about this story reminds me of Robert Penn Warren’s “Christmas Gift”. I think it was the fact that cigarette smoking seemed to play a prominent role in this story as well as in Warren’s. Roger’s father smokes more than he talks. Father Fogarty smokes while he’s talking. Roger reminds himself of when he and a friend attempted to smoke. Smoking gives a sense of sturdiness to the characters even as they may contemplate the fleetingness of life.

This story is included in my copy of The Best American Catholic Short Stories edited by Daniel McVeigh and Patricia Schnapp. I read it when I selected the Eight of Diamonds for Week 17 of my Deal Me In 2018 short story project. My Deal Me In list can be seen here. Deal Me In is hosted by Jay at Bibliophilopolis.

 

 

D. H. Lawrence: The Rocking-Horse Winner (Deal Me In 2018 – Week 16)

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…poor devil, poor devil, he’s best gone out of a life where he rides his rocking-horse to find a winner.

“The Rocking-Horse Winner” by D. H. Lawrence tells the story of eight year-old Paul and his ability to pick winners in horse racing. In spite of the less than noble stigma horse racing and gambling might have, Lawrence gives Paul a jubilant innocence that lets the story feel like a fairy-tale. Even Paul’s partners, his Uncle Oscar and Bassett the gardener, who could have easily been portrayed with a more sinister nature, unabashedly back Paul and his efforts to win money for his family.

The way Lawrence slowly reveals the magical manner in which Paul selects winning horses maintains the story’s innocence but when it’s combined with the “voices” that Paul’s house makes and the tragedy at the end, it gives the feel of one of those “deal with the devil” stories even if it’s not specifically mentioned.

Lawrence’s poetic style seamlessly melds these two sides, the potentially good and the potentially evil, making “The Rocking-Horse Winner” a classic.

I read this story when I selected the King of Spades for Week 16 of my Deal Me In 2018 short story project. My Deal Me In list can be seen here. Deal Me In is sponsored by Jay at Bibliophilopolis.

 

 

 

 

 

 

The Refugees by Viet Thanh Nguyen

Phuong had seen the film on a pirated videotape, and was seduced immediately by the glamour, beauty, and sadness of Scarlett O’Hara, heroine and embodiment of a doomed South. Was it too much to suppose that the ruined Confederacy, with its tragic sense of itself, bore more than a passing similarity to her father’s southern Republic and its resentful remnants?

-from the story “Fatherland”

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Here are my thoughts on the stories included in Viet Thanh Nguyen’s The Refugees:

Black-Eyed Women: In my post for Nguyen’s novel The SympathizerI didn’t mention that he uses ghosts as not only a little comic relief but to great literary effect. In this story, he does it again. Maybe not for the comedy but, again, for great literary effect and story-telling.

The Other Man: Two gay men sponsor a Vietnamese refugee sometime around the late 1970’s. They all have some adjustments to make.

War Years: A story demonstrating that a totalitarian mindset can begin anywhere – even in a group of Vietnam refugees making their way in the United States.

The Transplant: A Hispanic man attempts to locate the family of the Vietnamese man who gave him his liver. It takes him places he wasn’t intending.

I’d Love You to Want Me: I already posted about this one here. My favorite one of the group!

The Americans: Unless I missed it, this is the one story that does not include Vietnamese refugees; however, refugees can take other forms in America.

Someone Else Besides You: A tough father and son story might make this my second favorite story here.

Fatherland:  This one tells the story of the wartime affect on the next generation of a refugee family. Not everyone is able to pull themselves up by their boot straps.