…this new Pamplona story already contained something for everyone. Its terse, innovative prose would titillate the literary crowd, and the simplicity of the style would make it accessible to mainstream readers. And if that deceptive simplicity didn’t do the trick, the story promised to stand alone as a scandalous roman a clef featuring dissolute representatives from the worlds of wealth and ambition.
Things I found interesting from reading Lesley M. M. Blume’s Everybody Behaves Badly: The True Story Behind Hemingway’s The Sun Also Rises:
- Non-fiction about fiction is my favorite kind of non-fiction.
- Hemingway epitomizes the theory that great artists have a selfish streak.
- Hemingway wasn’t just selfish; he was mean.
- The Sun Also Rises launched Hemingway into the literary stratosphere.
- The majority of this book is set when Hemingway was a no-name and F. Scott Fitzgerald was a superstar.
- In spite of Hemingway’s mean streak, he had a lot of people supporting his art.
- Sherwood Anderson was instrumental in introducing Hemingway to the Paris literary world, even though his popularity faded as Hemingway’s soared.
- The characters in The Sun Also Rises were thinly veiled portraits of people Hemingway knew and hung out with in Paris.
- This didn’t go over so well with the real-life people.
- Fitzgerald predicted that Hemingway would have to have a different wife for each of his novels.
- While he was writing each of his four major novels, he did have a different wife.
- Blume refers to Hemingway’s style as sparse, terse, bare-bones as many would describe his style, but also refers to it as “high-low”, in the sense that it appealed to both literary types and mainstream readers (see quotation above).