It was an angel food cake with an icing as white and light and swirly as a summer cloud. It was as white as a bride. The sight of it fairly took his breath away – it was the most delicate and wondrous thing that he had ever seen. It looked so beautiful and vulnerable there all alone among the others that he wanted to defend it with his life. It was lucky, he thought, that nobody said anything bad about it – and he just wished somebody would. He took a position in the corner in the front of the room as near the cake as he dared to be, and watched over it defensively, angry at the thought of the possibility that somebody might say something bad about it.
In Wendell Berry’s “A Consent”, readers encounter the earliest appearance of Ptolemy Proudfoot (known as Tol to most) when he manages enough nerve to go to the local school’s Harvest Festival where Miss Minnie, his future wife, teaches. He shells out a lot of money for a local farmer in 1908 in order to win Miss Minnie’s angel food cake at a baked good auction. He then asks Miss Minnie if he could see her home. She says “yes”.
A certain quaintness does exist in this story but I felt like it stopped just short of being hokey. The above quotation gave Tol a sweetness and a warmth of heart without crossing the line into sentimentality.
Tol and Miss Minnie provide some comic relief to the stories of Port William that are set in the very beginning of the twentieth century. And speaking of comic relief, in this story, a young Burley Coulter recites a poem at the Harvest Festival. It’s James Whitcomb Riley’s “When the Frost is on the Punkin'” and the back and forth between Burley and Miss Minnie as Burley struggles to remember the lines is one of the highlights.
“A Consent” is found in Wendell Berry’s collection That Distant Land.