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At night the patterned ceiling seems to move with the flickering shadows, and in the daytime an occasional shadow drifts slowly across the tin as though it was searching for a permanent refuge. But there is no permanence here – there is only the valiant illusion of a permanence that is hardly more substantial than the shadow that touches it.
What is considered permanent and is there even any such thing? That’s the question that seems to be asked in Maeve Brennan’s 1966 short story “I See You, Bianca”.
The story consists of detailed descriptions of Nicholas’ New York house – somewhere close to Greenwich Village. We don’t know exactly how old Nicholas is, but I get the impression that he isn’t young. Perhaps not elderly, but not young. As the details flow, the reader understands that this house is old and may not be around much longer.
Nicholas doesn’t seem to have much in the way of family and friends. This lack of permanence morphs into a type of lonesomeness but its a lonesomeness that Nicholas appears to not mind. In fact, I don’t know why the term “lonesome” applies here better than the word “lonely”. I don’t think Nicholas is lonely.
Other than his relationship to his house, Nicholas has a relationship with his cat, Bianca. This relationship reminds me of Pi Patel’s relationship to the tiger, Richard Parker, in Yann Martel’s Life of Pi. While Nicholas isn’t in danger from Bianca the way Pi is, the relationship is perhaps one-sided. Both relationships have similar endings.
I read this when I selected the Four of Diamonds for Week 37 of my Deal Me In 2017 short story project. It’s included in my copy of Wonderful Town: New York Stories from the New Yorker edited by David Remnick. My Deal Me In list can be found here. Deal Me In is hosted by Jay at Bibliophilopolis.