“Dear, dear Norland,” said Elinor, “probably looks much as it always does at this time of year. The woods and walks thickly covered with dead leaves.”
“Oh,” cried Marianne, “with what transporting sensation have I formerly seen them fall! How have I delighted, as I walked, to see them driven in showers about me by the wind! What feelings have they, the season, the air altogether inspired! Now there is no one to regard them. They are seen only as a nuisance, swept hastily off, and driven as much as possible from the sight.”
“It is not everyone,” said Elinor, “who has your passion for dead leaves.”
My favorite scene in Jane Austen’s novel Sense and Sensibility comes when Marianne Dashwood bemoans her problems with a specific man to all those within hearing distance. In an effort to calm Marianne’s nerves, the gossipy (and hilarious) Mrs. Jennings prepares a glass of wine for her; however, Marianne’s sister Elinor Dashwood, who is having very similar problems with another man but who characteristically keeps it a secret, interrupts Mrs. Jennings and offers to take the glass of wine to her sister. But instead of taking the wine to its intended recipient, she goes off in secret and drinks it herself.
I envision Elinor perhaps quickly chugging a large goblet of wine or maybe throwing back a small glass like a shot, but maybe she just sits by herself and sips it – slowly. In any case, I found the whole scene very funny and a microcosm of the Dashwood sisters’ larger story. Their inwardness and outwardness project the confinements placed on them by their society. Given that Jane Austen has achieved rock star status some 200 years after her death, it’s not surprising that those same confinements (gender, lack of money) can still be recognized in society, today.
While Sense and Sensibility’s focus is on the Dashwood sisters with Elinor being the main contributor to the narration, it’s actually the story of these two women in addition to three men. The dashing Willoughby is the man who is the most “passionate” and outwardly seems to be the most rebellious – the man one might think would be the most likely to brush off those societal chains. But that’s not the case. His counterparts, Edward Ferrars and Colonel Brandon, both very straight-laced and what one could consider shy, become the rule breakers.
The more I think about this novel, the more I like it.
Sense and Sensibility is the first of Jane Austen’s novels to be published and the first in the Jane Austen Read-All-Along sponsored by James at James Reads Books, the goal of which is to read all of Jane Austen’s novels in the order of publication by the end of the year – one each month starting in July. In August, I’ll be re-reading Pride and Prejudice.